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One Republic: Live in South Africa is a great concert Blu-ray for fans of the popular group.
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Coupled with gunshots ripping through the room, foundation-shaking explosions, and dialog that remained consistently clear and intelligible, the experience rivalled that of visiting a good movie theater.
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Also, its Dolby Atmos track is to die for! Heard via the AV8805 on my system, the overhead speakers really came alive when a character respawned and was dropped back into the group. The Jumanji: Welcome to the Jungle UHD Blu-ray counts among my favorite discs released in 2018 due to its wildly entertaining screenplay and perfect casting. Surround effects moved through the room seamlessly-whether from Dolby Atmos or DTS:X discs, or upmixed via DSU (Dolby Surround Upmixing) from legacy codecs. Watching movies with the AV8805 was a reference-quality experience from beginning to end. Plus, my wife has reached the tipping point when it comes to room upgrades.
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While I would have loved to tap more channels and test a full 13-speaker configuration, my room is too narrow for wide speakers and too shallow to accommodate additional ceiling speakers. Amplification was provided by two ATI class-D amplifiers with NCore modules: the AT527NC and AT524NC. Overhead were four Atlantic Technology IC-6-OBA in-ceiling speakers below were four subwoofers finely tuned with the MiniDSP processor. The AV8805’s arrival coincided with my review of an M&K Sound S150 speaker system (October/November 2018 issue) consisting of three S150 speakers across the front coupled with four S150T Tripole speakers to round out the bed level. Given the audience that this pre/pro caters to, I assume most users will do something similar or operate it via an IP interface. I was able to overcome this issue by using a URC MX-980 remote that communicates via RF with a base station that in turn sent commands to the Marantz via its rear-panel IR input. Like the remotes included with its predecessors, the AV8805’s IR sensor has a very narrow receiving range and doesn’t always respond to commands unless the remote is pointed directly at it and in close proximity (less than 10 feet).
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Thankfully, it’s backlit and has the capability to operate all three zones by toggling the Zone Select button located at the top. The AV8805’s remote is of the learning variety but can’t really compare with more powerful aftermarket remotes like those from Harmony or URC. I did make a point of doing some listening tests with Audyssey enabled, but I ultimately preferred it switched off.
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In my case, very little help was needed since my room is fully treated and my four subwoofers get their own equalization through a MiniDSP processor using the freeware software RoomEQ Wizard. The effect that Audyssey has on your particular room will, of course, vary. Next, you’re instructed to connect the included Audyssey microphone to the unit’s front so that MultiEQ XT32 equalization can work its magic. First, you tell the processor how many components you’re using. When powering up for the first time, you are greeted by a guided setup that walks you through the installation. One thing Marantz hasn’t updated is its best-in-class user interface, one that I find to be extremely intuitive and easy on the eyes. These include faster DSPs, new isolation plates between the transformer and chassis to reduce noise and vibration, additional shielding and isolation between the DSPs and the audio PCBs, a new DAC board layout with a shorter signal path for improved jitter reduction, and updated HDAMs (Hyper Dynamic Amplifier Module) with precision-matched discrete devices. While the AV8802A and AV8805 look similar, the AV8805 has over 1,900 part changes that are meant to enhance audio quality.